http://www.bustedskull.com/2005/01/20/420-considered-harmful-to-32-pulldown/ Jesse Rosen's Weblog Tue, 06 Jan 2009 21:53:56 +0000 http://wordpress.org/?v=2.5 http://www.bustedskull.com/2005/01/20/420-considered-harmful-to-32-pulldown/#comment-3877 Jesse Rosen Thu, 07 Jun 2007 14:52:34 +0000 /?p=6#comment-3877 There are now 2 1080/24 HDV camera series available - the Canon XH series, and Sony V1. The Canon cameras record a 24fps stream with no pulldown, and the Sony records as 60i with pulldown as described here. It is worth comparing footage from the 2 cameras to see in practice the effects I described here. There are now 2 1080/24 HDV camera series available - the Canon XH series, and Sony V1. The Canon cameras record a 24fps stream with no pulldown, and the Sony records as 60i with pulldown as described here. It is worth comparing footage from the 2 cameras to see in practice the effects I described here.

]]> http://www.bustedskull.com/2005/01/20/420-considered-harmful-to-32-pulldown/#comment-103 Jesse Rosen Fri, 11 Mar 2005 03:10:51 +0000 /?p=6#comment-103 Just in case the implications of this aren't clear, it means that 1) if you are making a DVD from 24-frame footage, you should really encode the MPEG clips as 24-frame clips. Otherwise you will have reduced chroma resolution. 2) You really can't have optimal results in 24P from a 1080i HDV camera (since the spec doesn't allow 24 fps MPEGs.( Just in case the implications of this aren’t clear, it means that 1) if you are making a DVD from 24-frame footage, you should really encode the MPEG clips as 24-frame clips. Otherwise you will have reduced chroma resolution. 2) You really can’t have optimal results in 24P from a 1080i HDV camera (since the spec doesn’t allow 24 fps MPEGs.(

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